While flipping through my collection of vintage French magazines the other day, I came across an interesting little segment in the October 1966 issue of Salut les copains, France's enormously popular and influential youth music magazine that launched in 1962 to complement the radio show of the same name. It features Françoise Hardy sharing her ten current favourite songs, as part of a running segment where popular music stars were asked to create their own 'hit parade'.
Hardy's tastes encompassed a variety of popular genres of the time, from the easy listening of Frank Sinatra and Petula Clark to the garage rock of Syndicate of Sound and The Troggs, whose 'Wild Thing' she calls "breathtaking". Most of the picks here are from the USA and UK, as was more fashionable by that time than homegrown music. Hardy, though, was no bandwagon jumper and had long been a fan of Anglo-American sounds. She often had the chance to hear new British music when she ducked across the channel to record an album or play some venues, and she mentions buying Syndicate of Sound's 'Little Girl' in London and seeing Dusty Springfield perform 'Goin' Back' on Ready Steady Go! A couple of her fellow Gallic singer-songwriters are represented here in Michel Polnareff ("She could have cited any other of Michel's songs, she loves them all equally"), and Antoine, who had debuted nearly a year earlier and transformed the local scene.
I've playlisted her choices so you can immerse yourself in what the wonderful Ms Hardy was grooving to 50 years ago:
I was hoping to do a Christmas mix this year but haven't had a chance, so I thought I'd share one I made very last minute last year. It features Christmas-themed and seasonal yé-yé and rock songs from 1960s France and Québec.
- Alice Dona - Le Noël des copains (France, 1964)
- Jacques Dutronc - La Fille du Père Noël (France, 1966)
- Les Frères Flamingo - C'est Noël dans notre village (Québec)
- Les Milady's - Les Anges dans nos campagnes (Québec, 1967)
- Les Bel Canto - Le Père Noël a pris un coup (Québec, 1967)
- Les Loups - Cette étoile (Québec, 1965)
- Cathie Arel - En rêvant à Noël (France, 1962)
- Richard Anthony - Dis moi pourquoi Noël (France, 1961)
- Guy Boucher - Neige à gogo (Québec, 1965)
- Christie Laume - L'Adorable Femmes des neiges (France, 1967)
- Michèle Richard - Cloches d'argent (Québec, 1965)
- Les Intimes - Nous allons nous amuser (Québec, 1965)
- Les Baronets - Cet hiver je n'aurai plus froid (Québec, 1965)
- Les Roche Martin - Il est temps de penser à la neige (France, 1967)
- Christophe - Noël (France, 1965)
- Delphine Desyeux - L'hiver (France, 1967)
- France Gall - Chasse-neige (France, 1971)
- Les Chantels - La Fée des étoiles (Québec, 1966)
In case you were wondering, "dans le vent" (literally, "in the wind") is a term that was used in France at the time to denote something was hip, trendy, in fashion. A source I have from 1967 says the term came about as an equivalent to the English "up to date", which other terms like "avant-garde" and "à la page" didn't quite convey. If you've seen any sixties French youth magazines from the time like Salut les copains or Mademoiselle age tendre, you'll see the phrase plastered all over its pages, in article headings and advertisements. I'm not sure exactly when it started but it was around by 1963 and had really taken off by 1964. The Beatles film A Hard Day's Night was released as 4 garçons dans le vent in France and Quatre gars dans le vent in Québec – essentially, "Four hip guys".
'Noël à Vaugirard' was a short film that appeared in an episode of Dim Dam Dom, broadcast on December 23, 1966. Starring Serge Gainsbourg as Joseph and Chantal Goya as Marie (Mary), it's a comedic telling of the Nativity story updated for its young, modern audience, filmed at the abbatoirs of Vaugirard.
It's been exactly 50 years since this odd Christmas sketch first aired on French TV, so I thought it might be a good time to revisit it, this time in more detail than when I first posted it ten years ago. I have also realised the version I originally shared is abridged, so wanted to post the full version, which is four-and-a-half minutes longer. 'Noël à Vaugirard' was a short film that appeared in an episode of Dim Dam Dom, broadcast on December 23, 1966. Starring Serge Gainsbourg as Joseph and Chantal Goya as Marie (Mary), it's a comedic telling of the Nativity story updated for its young, modern audience, filmed at the abbatoirs of Vaugirard. It's a light, throwaway kind of piece, but irreverent in its own way, with some surreal and highly creative moments that reflect the unique approach of the program.
Premiering in March 1965, Dim Dam Dom was the flagship show of the newly launched second television channel of France's national broadcasting service, ORTF. It aired once a month on Sunday afternoon, for a total of 70 episodes until the end of its run in 1971. Daisy de Galard, who had worked at Elle magazine for fourteen years, was approached by Roger Stéphane, a journalist and an advisor to the head of ORTF, Claude Contamine, to create a television magazine aimed at women. Though she had no experience in television, the fledgling producer set out to make something different to the usual fare offered to female audiences at the time. She created a show that was modern and innovative, taking many risks both aesthetically and in terms of subjects the show covered. The program not only showcased some of the most popular entertainers of the time, but was a springboard for many young journalists and directors. The name Dim Dam Dom was an abbreviation for Dimanche (because it was broadcast on Sundays), Dames (since it was primarily targeted at women), D'hommes (because it also featured segments concerning men, and aimed to hold their interest as well). A hit from its first broadcast, and successful later in reruns, Dim Dam Dom is remembered with a great deal of respect as a pioneering program.
Like so many, I am angry, confounded, saddened by the state of the world. 2016 just keeps kicking us in the arse. I won't spill any trite words about the power of music in troubled times. I don't even think making ourselves feel better is entirely the point. I'm wary of self-tranquilising to the point of becoming numbed or complacent; we need that sense of horror and anger to foster meaningful action. Anger, I think, is not something to be afraid of if it is not hateful or violent or self-destructive. That said, I'm aware good people need to draw strength from where they can – to be inspired, to experience catharsis, to feel soothed, to preserve their mental health – in order to be effective, to go on, to heal. And that's where music can come in. What I like to turn to runs the gamut from angry and cynical, to inspiring and thought-provoking, to calming and reassuring. Here are a few songs I thought I'd share.
Starting at the angry, cynical end of things, Jarvis Cocker's blunt song 'Running The World' from 2006 pulled no punches in describing exactly who has the power in the world, and is unfortunately truer than ever. The song is an incisive, darkly funny critique of capitalism and politics.
Barry McGuire's classic scathing protest song, 'Eve Of Destruction', perfectly captured the countercultural mood of its day. Written by nineteen-year-old P.F. Sloan, it was a number one hit for McGuire in 1965, and it's hard to imagine anyone spitting out these lyrics of disgust and frustration better than he does in his blistering growl. Many of the lyrics are, obviously, specific to political circumstances of the time, but much of it still resonates and could apply as readily today. Particularly potent is McGuire's delivery of the line about religious hypocrisy: "Hate your next-door neighbour / but don't forget to say grace." Also, message aside, I am a fan of the fact the word 'coagulating' is incorporated into a rhyme.
It's interesting when a work of art's message feels relevant again and you find its meaning becomes clearer than before. I guess I always saw this as a somewhat fatalistic song about impending doom in an age of atomic fear, but now it's hitting me as a rebuke against complacency, against refusing to see potential catastrophe, and against the normalisation of things that should rightly invoke alarm. Sloan saw it as "a love song to and for humanity" and "a prayer" and hoped it would help "open a dialogue", but instead he and McGuire were ousted from the music industry.
"This is a cold war, you better know what you're fighting for" sings Janelle Monáe so powerfully on 'Cold War', from her 2010 Afrofuturist pop masterpiece, The ArchAndroid. The line 'I was made to believe there was something wrong with me' always chokes me up, and now more than ever, too many are afraid of their children growing up to feel like this. Monáe has said of this and other songs of hers: "I try to create songs that are uplifting because this world can drive you insane". 'Cold War', though it faces a sense of pain and injustice head-on, is not a bitter resignation; it ultimately uplifts:
So long, Leonard. Thank you for the achingly beautiful words and music.
A mix for Halloween featuring music from 70s European horror soundtracks, eerie vintage folk-pop, contemporary pop noir and more. Last year, I made a devil-themed mix drawing from a similar range of artists, but where that one was skin-crawlingly creepy, this is more softly unnerving, with undercurrents of romance and sensuality. It makes me vaguely picture an imaginary classic horror film where a beautiful heroine is lured into a haunted forest by an irresistible but diabolical lover. Amid the prettily haunting sounds, there are still some genuinely terrifying moments – Goblin's bloodcurdling 'Sighs', from Suspiria, for example – should this ominous realm start to feel too cosy.
The mix image is Elsa Martinelli in Roger Vadim's 1960 vampire flick, Et mourir de plaisir (aka Blood and Roses).
Tracklist (Show details)
- François De Roubaix - Les Lèvres Rouges (1971)
From the Les Lèvres Rouges (Daughters of Darkness) soundtrack.
- Beautify Junkyards - Longo Amanhã (2015)
From The Beast Shouted Love.
- Ennio Morricone - Astratto IV (1971)
From the Veruschka - poesia di una donna soundtrack.
- Marianne Faithfull - Oh Look Around You (1965)
From her self-titled debut album.
- Daniela Casa - Ignoto (1975)
From Società Malata, reissued on Penny Records in 2013, and again on Dagored this year.
- Death and Vanilla - Shadow and Shape (2015)
- Comus - Bitten (1971)
From First Utterance.
- The Paradise Motel - Bad Light (1996)
From Still Life.
- Broadcast - The Sacred Marriage (2013)
From the soundtrack to Peter Strickland's Berberian Sound Studio.
- Jenny Hval - In the Red (2016)
From Blood Bitch.
- Cat's Eyes - Pavane (2015)
From the soundtrack to another Strickland film, The Duke of Burgundy.
- Françoise Hardy - The Rose (1966)
From Hardy's first English language album, In English.
- Piero Umiliani - Nocturne (1973)
From To-Day's Sound, reissued on Easy Tempo in 1997.
- Ennio Morricone - Metamorfosi (1971)
From the La classe operaia va in paradiso.
- Laurence Vanay - Soleil Rouge (1974)
- Espers - Flowery Noontide (2005)
- Cat's Eyes - Black Madonna (2015)
From The Duke of Burgundy.
- Les Maledictus Sound - Heathcliff Y Cry Your Name (1968)
From Attention (or arguably Les Maledictus Sound - I'm uncertain of the correct title), the only release by this band helmed by Jean-Pierre Massiera.
- Keith Seatman - A Slight of Hand (2013)
- Isobel Campbell & Mark Lanegan - The False Husband (2006)
From Ballad Of The Broken Seas.
- Jane Weaver - Parade of Blood Red Sorrows (2013)
- Belbury Poly - Pan's Garden (2006)
From The Owl's Map.
- Spirogyra - Old Boot Wine (1973)
From the 2004 compilation Gather In The Mushrooms – The British Acid Folk Underground 1968-1974. Originally from the album Bells, Boots and Shambles.
- Phillip Lambro / Orriel Smith - Hannah Emerges In the Night (1973)
Originally from the Crypt of the Living Dead soundtrack, this was included as a bonus track on the 2011 digital issue of Smith's 1968 single, 'Tiffany Glass' (which was also written by Lambro).
- Still Corners - Demons (2011)
From Creatures of an Hour.
- Acanthus - Sleeping Beauty (Samba Des Vampires) (1971)
From the soundtrack to Jean Rollin's Le Frisson des vampires, released by Finders Keepers Records in 2010.
- Emil Richards - Opal (October) (1966)
From New Sound Element "Stones", reissued by The Omni Recording Corporation in 2012.
- Lake Ruth - One Night As I Lay On My Bed (2016)
From Actual Entity.
- Colleen - Le Labyrinthe (2007)
- Angelo Badalamenti - Laura's Dark Boogie (1990)
From Twin Peaks: Season Two Music and More (2007).
- Maxine Sullivan - Dark Eyes (1938)
From the 1997 compilation The Chronological Classics: Maxine Sullivan 1937-1938.
- Jean Prodromidès - Carmilla et Léopoldo (1960)
From the Et mourir de plaisir (Blood and Roses) soundtrack.
- Harmonic 33 - Long Shadow (2005)
From Music For Film, Television & Radio, Volume 1.
- Goblin - Sighs (1977)
From the soundtrack to Dario Argento's Suspiria, reissued on Bella Casa's The Awakening box set in 2012.
- Harper / Russe / St. George - Nightwalker (1972)
From Electrosonic, a library music record Don Harper, Delia Derbyshire and Brian Hodgson (the latter two under pseudonyms) made for KPM, reissued by Glo-Spot in 2006.
- Clara Rockmore - Rachmaninoff: Vocalise (1977)
From The Art of the Theremin.
- Ela Orleans - Nocturne (2012)
From Tumult In Clouds.
- Elysian Fields - Black Acres (2000) – Free download available from Epitonic.
From Queen Of The Meadow.
- Luboš Fišer - Blood Red Rose (1972)
From the Morgiana soundtrack, released by Finders Keepers Records in 2013.
- Mono In VCF - We Could've Owned The World (2008)
From Mono In VCF.
An eleventh-hour discovery in the RTS archives as I was about to publish the last entry, this video was too good a find to tack onto the end of that post as an afterthought. It's a terrific 1966 Swiss television special starring Jacques Dutronc entitled Rendez-vous au bowling. This is the year the 23-year-old Dutronc launched his singing career and became an instant megastar in France, topping the charts with his first single 'Et moi et moi et moi' and selling over a million copies of his debut album. Here, Dutronc is as charismatic and dapper as ever as he performs some of the best tracks from his first album, like 'La Compapade', 'La Fille du Père Noël' and 'Les Playboys', and shows off his comedic skills in skits between songs. Most of the performances are lip-synced but Dutronc and his backing band, including Alain Chamfort on organ, do a dynamic live rendition of 'Les Cactus'.
A welcome surprise was the appearance of yé-yé girl Pussy Cat performing 'Ce n'est pas une vie', her cover of the Small Faces' 'Sha-La-La-La-Lee'. Born Evelyne Courtois, Pussy Cat is a very interesting figure in the 1960s French pop scene. A songwriter and multi-instrumentalist, she founded the only all-female band of the decade, Les Petites Souris, before going onto a solo career where she recorded some excellent, mostly Anglocentric covers, and later some self-penned material.
When the credits rolled, I noticed the name of another of the era's most fascinating girls, Stella, who wrote biting satires of the yé-yé scene. I was bummed that she was missing from this video, but luckily found her in another clip from the show:
out of print
- February 19 2017
- February 2 2017
- December 24 2016
- December 23 2016
- November 25 2016
- November 19 2016
- November 11 2016
- October 29 2016
- October 7 2016
- September 1 2016
- August 29 2016
- July 30 2016
- July 19 2016
- July 14 2016
- Thu, Jun 30 2005
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