Just a brief post to share some mixed versions of a pair of older playlists I made for Halloween in 2012, 'The Midnight Hour' and 'Strange Shadows'.

The first of the two was an attempt to evoke a kind of eerie, middle-of-the-night, alone-in-a-dark-house, semi-dreamlike feeling. The second one is more ominous, yet more punchy – a shorter, more fun companion to the former's journey of haunting beauty.

This is part of an effort I've been slowly making to give my old playlists a new home. I put a lot of effort and love into creating my playlists on there, but for years 8tracks has been stuck in a limbo of geo-restriction and royalties nightmares. Although the site recently returned after seemingly shuttering for good, it is still only accessible in limited countries and even then, many songs are not playable. Re-listening to some of my efforts there, I think they are worth preserving, so I'll continue to add mixed versions to Mixcloud.

Fun fact: both mix images are screenshots taken from the 1970s Rod Serling television series Night Gallery. 'The Midnight Hour' image is from the intro to 'The House', and 'Strange Shadows' is from a scene in 'Certain Shadows on the Wall'. You can watch this wonderful series for free here (I found that a VPN set to the USA works if you get the 'not available in your location' message).

For more of my earlier Halloween playlists and mixes, visit my playlists page.

The Midnight Hour

Mixcloud | View image | Duration: 1 hour 39 minutes

Tracklist:

Heart-stopping glances. Stolen moments. Giddy highs and melancholic lows. Tender feelings, guilty pleasures. A love affair you can't resist, right or wrong.

The collection of songs on this mix, 'Autumn Rendez-vous', evoke all the beauty, drama and heartache of all-consuming – sometimes forbidden – love. It feels cosy and romantic, but can suddenly leave you devastated.

Mixcloud | View image | Duration: 2 hours 5 minutes

Bien sur, such a mix had to include a good dose of French and French-inspired pop. Who better to set the tone here than Françoise Hardy, the master of wistful longing and comforting sadness? The mix features, and is named for, the English version of her 1966 song, 'Rendez-vous d'automne'. Françoise also pops up duetting with Blur on the alternate version of 'To The End', and her presence is felt elsewhere, like the track from The Yearning's gorgeous 2016 album Evening Souvenirs, which was heavily influenced by Ms Hardy's oeuvre. There are also a few translations of gallic songs here: Jimmie Rodgers 'The Lovers' is a cover of Jacques Brel's 'Les Amants de cœur', Greek sixties girl Tammy interprets Pascal Danel's 'Les Trois Dernières Minutes', and Ethel Azama, under the auspices of Martin Denny, does a show-stopping rendition of Jacques Prevert and Joseph Kosma's 'Les Feuilles Mortes'.

The beautiful cover photo of Françoise is by Jean-Marie Périer.

Tracklist:

Mixcloud | View image | Duration: 2 hours 4 minutes

A minor dilemma for me, as a blogger living in a different hemisphere to almost all of my readers, is when to share a mix that seems so perfect for a particular season. I've had this mix in mind as a soundtrack for spring, but wondered whether to post it in your spring or mine? I've decided perhaps this is an ideal time for you and I alike, as my springtime begins, and maybe some of your summery days still linger as it turns to autumn. Whatever the weather, I think this provides some much-needed sunny cheer. It's music for daydreaming out the window.

This mix was inspired by, and shaped around, the simple, escapist joy of the song 'Up, Up and Away'. Written by Jimmy Webb and originally recorded by The Fifth Dimension, the harmonic slice of breezy listening was a big hit around the world in 1967. I wanted to create a mix with a feeling of pure escapism and floating away from troubles. Is there any song that better epitomises this?

The version I decided to include here is the less familiar Supremes' cover from their 1968 album Reflections, which is a little sweeter and more buoyant to my ears, and of course has Diana Ross' irresistibly silken vocals. It's nestled among a collection of songs I find uplifting, comforting and sometimes achingly beautiful (wow, that Aretha cover of 'Over The Rainbow').

A psychedelic mix just in time for Christmas! There's not much I need to say about this that the title doesn't already tell you. All I will say is, on playing it through, I noticed it's kind of an odd blend of cheerful and sinister – but hey, that seems apt for Christmas! It's named for a song by The Smoking Trees from the superb Active Listener Christmas Album from 2012. (A name-your-price download on Bandcamp, it's well worth grabbing). Oddly, I only noticed after compiling this that there are quite a few tracks from 2012, for some reason. Apparently that year was a fine vintage for Christmas psych!

Hello all! Been absent from the blog for much longer than intended, I'm sorry to say. But I hate to miss another Halloween, especially since my blog is named for a Halloween urban legend. So I've managed to squeak in a mix just in time!

'A Curse On You' is in a similar vein to my last couple of mixes: more of a haunting atmosphere than strictly horror-themed selections, though there are a few of those as well. I like to make my mixes a bit of an emotional journey through different moods and sonic textures, especially when fairly long like this one, which comes in at two hours and eight minutes.

This mix is packed with vintage European soundtracks, moody experimental pop, electronic forays, an abundance of 60s psych rock, and more. There's some of the sensual, affecting vibe of my previous mixes, but with more of a gritty, dirty punch - at least that was the aim!

Please enjoy this trippy spookfest! Here are the artists and songs featured in this mix (click 'Hide details' to see a simplified tracklist):

Mixcloud | Alternate link | View image

Here's an all-France Gall mix, featuring some of my favourite songs of hers from 1963 to 1972. I say some of because, well, I love pretty much all her stuff from that era - it took some restraint to only choose 38 songs! You'll find some of her absolute classics here, as well as some lesser-known songs that are equally wonderful. After making the mix, I realised I drew a lot from my favourite album of hers, the 1967 psych-pop classic, 1968. I also seem to have included every song where she does her adorable version of scatting, which is really just the best thing ever. As well as her French songs, I've included a few of her German tracks, the Japanese version of 'Un prince charmant' and the Italian version of 'La Quatrième Chose'.

I've already gone into what I love about France Gall's music, so I'm not going to get descriptive here, but just let the music speak for itself. My hope is these selections would make someone new to her music fall in love with it as much as I did. And perhaps there are a few things here that are not so readily familiar to established French pop fans. 

Here are twenty-four photos of the lovely France Gall, spanning 1964 to 1971, from my collection of vintage magazines, photos, and publicity cards. It's hard to pick from the many beautiful photos of this lovable lady, but I chose some favourites here, along with some pictures that fans may not have seen before. Click on a photo to see the full version. Credits can be found below the gallery. This is the first post in a series where I'll be paying tribute to my favourite yé-yé girl by sharing some of my most treasured France Gall-related things, so stay tuned!

I'm excited to share my second mix for Christmas this year, which features seasonal tunes from international female pop singers of the 1960s. This was harder to put together than I thought! Being a big fan of both sixties girl pop from around the world and Christmas music, I figured this would be a piece of cake. But I soon realised I only had songs that fit the bill from a limited number of countries. Branching out more broadly was quite a fun adventure, and I really adore some of the songs on this mix that are new to me, like the stunning tracks from Monna Bell and Maria Dolores Pradera. I know some Rita Pavone but her 'White Christmas' cover, 'Bianco natale', had escaped me, and it's just gorgeous. It was also interesting to get a sense of which places went for Christmas pop singles, and which didn't. Italy, for example, had a booming young beat music scene but I found very little in the way of yuletide pop tunes. Most of the Italian stuff I found was very traditional, even, surprisingly, from some rock bands. Perhaps in some more religious countries, too contemporary an approach to Christmas songs was deemed too irreverant. I lucked out with some countries altogether – some places did not produce enough girl pop for their singers to also dabble in Christmas singles, others I don't really know where to begin exploring. If you know of any sixties holiday songs from female pop singers from countries I'm missing here, I'd love to hear your recommendatons. 

The gorgeous illustration of Sylvie Vartan accompanying the mix is by the very talented Olivier C. You can check out and support his amazing work here.

The name of this mix was inspired by the delightful titles of Japanese retro comps like Japanese Pop Cuties in Swingin' 60s or Japanese Pop Christmas In Dreamy '60s. I'm not intending to make fun of Japanglish at all; in fact, I found the syntax (or my attempt at it, which lacks the Japanglish flair) made more sense to me in trying to convey what this mix was about than conventional English structure would allow. 

Image via Discogs

I love a good depressing seasonal tune, and it doesn't much bleaker than one set in a desolate, post-apocalyptic world!

'Juste quelques flocons qui tombent' ("Just a few flakes falling") isn't really a Christmas song, but is apparently associated enough with this time of year to be included on Christmas compilations. This is curious, because the lyrics don't reference anything related to Noël, and from what I can find, the track seems to have been released not around Christmas time but in February, 1967. Perhaps the association comes from its snowy imagery, or the chiming bells that unusually punctuate its psych-folk-pop sound, or perhaps it's because of the story of how Antoine came to write the song.

The idea for the song came to Antoine on Christmas Eve, 1965, according to Anthologie des tubes rock: Soixante ans de musique pour les kids (François Grimpet & Daniel Lesueur, Camion Blanc, 2016), This was shortly before he would score a huge hit with 'Les Élucubrations d'Antoine' early the following year, becoming not only an overnight pop superstar, but a major force in reshaping the French pop scene in the post-yé-yé years. At this point however, he had a debut EP under his belt that hadn't made much of a splash, and was still a struggling musician. Having performed that evening for a modest fee, Antoine had just enough to dine out with his girlfriend but nothing left over for transport, so they footed it home. Walking toward the Marais district, the couple looked back to see a snow-covered Paris, nothing visible except their footprints in the snow, leaving them with the feeling of being the only two people in the world. With his songwriter's imagination and having keenly absorbed the pacifist themes of the likes of Bob Dylan, Antoine soon turned this image into a song about a world decimated by nuclear war, where he and his lover are the only survivors.  

If I'm understanding the lyrics correctly, the final verse sees Antoine comparing himself and his girlfriend to Adam and Eve, but cautioning they must avoid repopulating the world – since the last world was such a flop! What a sentiment to hear in a track that gets billed as one of "Les plus belles chansons de Noël"!