I'm excited to share my second mix for Christmas this year, which features seasonal tunes from international female pop singers of the 1960s. This was harder to put together than I thought! Being a big fan of both sixties girl pop from around the world and Christmas music, I figured this would be a piece of cake. But I soon realised I only had songs that fit the bill from a limited number of countries. Branching out more broadly was quite a fun adventure, and I really adore some of the songs on this mix that are new to me, like the stunning tracks from Monna Bell and Maria Dolores Pradera. I know some Rita Pavone but her 'White Christmas' cover, 'Bianco natale', had escaped me, and it's just gorgeous. It was also interesting to get a sense of which places went for Christmas pop singles, and which didn't. Italy, for example, had a booming young beat music scene but I found very little in the way of yuletide pop tunes. Most of the Italian stuff I found was very traditional, even, surprisingly, from some rock bands. Perhaps in some more religious countries, too contemporary an approach to Christmas songs was deemed too irreverant. I lucked out with some countries altogether – some places did not produce enough girl pop for their singers to also dabble in Christmas singles, others I don't really know where to begin exploring. If you know of any sixties holiday songs from female pop singers from countries I'm missing here, I'd love to hear your recommendatons. 

The gorgeous illustration of Sylvie Vartan accompanying the mix is by the very talented Olivier C. You can check out and support his amazing work here.

The name of this mix was inspired by the delightful titles of Japanese retro comps like Japanese Pop Cuties in Swingin' 60s or Japanese Pop Christmas In Dreamy '60s. I'm not intending to make fun of Japanglish at all; in fact, I found the syntax (or my attempt at it, which lacks the Japanglish flair) made more sense to me in trying to convey what this mix was about than conventional English structure would allow. 

Spiked Candy kicked off with a France Gall video and a Quebecoise France Gall cover, so for old times' sake, I thought I'd start again the same way:

This is a clip from an episode of a music show called Au risque de vous plaire which originally aired on the 10th of January, 1969. The episode, directed by Jean-Christophe Averty, is creative and colourful, making the most of the relatively new colour format. They've gone a bit nuts with the technique of using graphics to frame the footage, with fun results like those seen here. (The video may take a few moments to load).

Claire Lepage - Le Premier Chagrin d'amour

I love Canadian girl Claire Lepage's take on France Gall's 1964 single, 'Le Premier Chagrin d'amour', which has lyrics by France's father, Robert Gall, and music by Claude Henri-Vic. In her slowed-down, more grown-up-sounding version, the 'first heartbreak' of the title sounds like it's about something that had more at stake than France Gall's lost teen love. Claire's version comes two year later, in 1966, which is a little unusual as international covers tended to appear soon after the original.

I've also made a playlist of France Gall covers - 30 of them!

The clip above is a fab girls-with-guitars sequence from the 1967 Greek musical comedy Oi thalassies oi hadres (Οι θαλασσιές οι χάντρες, "The Blue Beads"). A group of men have been lured to the modern club Crazy Girls, hearing rock refrains drifting into their own club, situated nearby in the Plaka, where they play traditional bazouki music. Sitting in on the rehearsal of the house band, the men appreciatively gawk at lead singer Mary, played by Zoe Laskari (Ζωή Λάσκαρη), who cuts a stunning figure in her red sweater and gorgeous knee-high red boots. Toward the end of the clip, we see the band perform to a packed, groovy dancefloor that night. Mary will soon fall for one of the bazouki players, setting up a theme of modern versus traditional values and how a traditional place handles the influence of modernity.

The entire movie can be watched here.;Though it has no English subtitles, you may still find it enjoyable, as I did. It can be vaguely followed, particularly at the beginning when the American character says quite a few basic pieces of dialogue in English. The musical numbers alone, especially the gloriously choreographed fantasy sequences, are worth watching it for. 'Crazy Girl' is the only rock song, but the more traditional music is beautiful.

That said, I do hope to see a subtitled version one day, because the film has more to offer than being a light romp with optional dialogue. Greek blog Zalmoxis discusses viewing the film with a fresh perspective after reading an academic article by Michael Kokkoni which credits Oi thalassies oi hadres as representing an important turning point in Greek cinema. It was an unusually high quality production for the time, no easy feat considering the film industry faced "indifference from the state [and] heavy taxation". 

Until I watched the video above and the Zoe Kouroukli clips posted in the last entry (all originally posted by balubashake), I thought Zoe Kouroukli and Zoe Laskari were the same person and was about to print Laskari's life story as Kouroukli's. You see, Laskari was also born Zoe Kouroukli, and between attempting to read poorly translated Greek and coming across sites understandably confusing the two women, I came to the wrong conclusion. The excellent Vangelis Movements site, for example, has a page on Zoe Kouroukli which states singer Kouroukli competed for Greece in Miss Universe in 1959, which was actually Laskari. Another article mentions Laskari in a blurb on Zoe & The Stormies, and with auto-translators not providing any clarity, I guessed the name was mentioned as an alias or stage name.

I'm sure if Emily Post had foreseen to write etiquette guidelines for music bloggers, having a Christmas post as one's latest entry as we begin, *gulp*, May would be considered a dreadful faux pas. Once again, I've found myself on an unintended hiatus from blogging, and I'm hoping to get back to posting regularly. For now at least, it's time for my blog to cease to be the virtual equivalent of a home strewn with tattered decorations and a sad Christmas tree wilting away months after 'twas the season.

Recently, I picked up an excellent CD compilation called Greek Beat Greats, released by Gyro Records. This is definitely not a CD to judge by its cover: the artwork alone, with a polite-looking combo hovering in the sky over a generic picture of the Acropolis, would make me fear I'm in for something supremely dodgy, akin to what I'd find in my parents' vast collection of 70s Greek "easy"-listening records. Thankfully, that's not the case. Instead, it's packed with 29 fun, melodic, upbeat tracks from the 60s Greek garage scene. Greek Beat Greats is Vol. 4 in a Gyro's Wildworld series (Vols 1, 2 and 3 featured 60s garage from around the world, Japan and Italy respectively).

The entire CD is worth getting your hands on, but I was particularly excited by a surprising find in the form of the very last track. 'Let's Shake, Baby'* by Zoe & The Stormies is an English-language cover of France Gall's 'Laisse tomber les filles'. A Greek 60s cover of 'Laisse tomber les filles' in English! Who knew?! (Just the one mention of it online is at Garage Hangover - one that, likely due to the misspelling, escaped even my prided Google super-skills at first).

Dany Aubé - La Fille du pacha (1968)

I keep coming across the mention of a pasha - first in the Uschi Glas quote, then in this track from Québéc yé-yé girl Dany Aubé, and then in this scopitone from Jean Constantin. I wonder if there was any sort of significant trend for all things Persian, or if they're just a handful of mentions as part of 60s pop culture's taste for the 'exotic'.

In 'La Fille du pacha', Dany sings that it's no fun being the daughter of a pacha and having lots of clothes, cars and fine silks, because people only love her for her money.

A little about Dany, translated from Rétro Jeunesse 60:

Dany Aubé (real name - Réjeanne Aubé) was born in Lasarre, Abatiti in 1947. While taking part in amateur singing contests, she was given the title 'Queen of The Quebecois, North-West'. Based in Montreal, she became famous in the spring of 1966 with the song 'Goodbye, au revoir, arrivederci'. During the same year, she stays at the top of the charts with 'Il m'appalait Goguette' ['They Call Me Goguette'] and 'Ma Casquette' ['My Cap']. She performed in the Musicorama tour of 1967, and worked the cabaret circuit until the mid-70s.

I wracked my brain trying to remember where I'd heard this before, then it finally hit me:

1. The Adam's Boys - Get Away From Me
2. The Adam's Boys - Mafia

Links: Comps featuring The Adam's Boys via Ugly Things. Some background on the Greek 60s garage scene via
The Rock and Roll Report, and the Greek Garage Bands of the 60s liner notes.
Buy: Mondo Farfisa Garage Psycodelico

I think I've hit on a plan to let me keep blogging without exhausting myself and then subsequently losing interest. I'm going to keep things as simple as possible with just pictures and the song and probably not  buying links, although I feel a bit guilty leaving those out. But you should be able to find any albums from the vendors in my sidebar. If you've searched high and low and can't find where to buy something, you can always ask and I'll help you out.

Please use the comments section to ask me any questions. I've taken down my email address, but if you still have it, please don't use it to ask me questions you can easily find answers for on a search engine. I'm also unable to send out anything individually, even for a trade. Nor am I taking requests or band submissions. Unless you're a band in my myspace friends and you want to send me free stuff? Eh? Eh? Can't blame a girl for trying.

I'm excited to be adding Radioblog*, which I discovered on the gorgeous blog Pop 'N Cherries. I've been trying to find a free way to do something like this for ages, but had no luck so it's a happy discovery indeed. This is my exception to my no requests policy; you can ask me to post an mp3 if you like anything on there. And I'm hoping that will make the blog a little more interactive and I'll get some more feedback on what people like. Remember, feedback keeps your widdle bloggers happy and makes them want to go on! Even just a 'thanks' or 'you rule the school' or even 'you suck!' (no just kidding, please don't) is great to hear.

I did think of starting up a forum where readers of this blog and the others that post French 60s stuff regularly could talk about what they love and any new discoveries, or trade stuff, but again I'd be biting off a bit more than I can chew. But for anyone who'd be interested in such an idea, please join the last.fm groups I have, French 60s and Ye-Ye Girls and maybe you could liven those up a bit. Even if you don't use the other last.fm features, the forums have the potential to be a great meeting place for fans.

And don't forget Spiked-Candy Last.fm Radio is still chugging away, churning out lots of aural treats and free to listen to. If the player has let you down before, try the beta for the upcoming release. As long as you have a decent connection, it should work a charm. And I know the 2 separate downloads for the Audioscrobbler plug-in and the Last.fm player are confusing to some; this download has them both in one and guides you through everything you need to do.

Merci, and I'll be back with some tunes very soon :).

Credit: Picture of France Gall, Johnny Hallyday et al from Douce France... Gall

*Songs I posted on Radioblog are now in this 8tracks playlist:

Pop-up player | 8tracks tips | Alternate link