Welcome back to the blog for another year - and decade! I hope 2020 is finding you content and well. If not – well, music is a great elixir, and there are a ton of beautiful tunes in this post to help soothe what ails you :).

As has become tradition, my first post of the new year is a look back at my favourite records of the previous year, with a playlist for you to sample songs from each. As a bonus, I've added a playlist of my favourite releases of 2018 as well, since I wasn't blogging this time last year, but had been saving a list of records I loved.

Wow, there were some killer albums that came out in both 2019 and 2018. Once again, I'm extremely heartened by the state of new music – it just takes a little digging to find the good stuff ;).Here are my lists of top 10 albums for each year (in no real order, except for the top 3 in each list):

Now onto the fun stuff - the playlists! These represent what ended up being a fairly random number of my favourite releases. For the 2019 playlist, I was ready to go with a nice, neat 25 albums and 5 EPs and singles, but discovered I'd forgotten a couple of essential inclusions, and struggled to cut anything further. Then I realised one of the benefits of running my own blog is I can do whatever the fuck I want! So, 27 albums it is! (or 32 releases including EPs and singles).

If you are new to my contemporary music tastes, what you can expect is lots of neo-psych, avant-pop, shimmery dream pop, pop noir, and otherwise songs with irresistible melodies and strong songwriting, usually in a retro or classic vein. My playlists tend to be female-dominated - it's not by design, it's just that somehow my tastes lead me to more women making the type of music I love. I've never liked to make a statement of it; in some way, I think it's more interesting and powerful not to point it out, because why should it be unusual? That said, I am pleased to celebrate some extremely talented, sometimes overlooked female artists and present them to an audience who may not yet know them.

These were made on Spotify (RIP my fave playlisting service, 8tracks), but if you have another preferred streaming platform, visit the Soundsgood link beneath the playlist artwork for more listening options (the playlists, however, may be incomplete on some platforms).

Best of 2019: Spotify playlist | Soundsgood (more listening options)

A psychedelic mix just in time for Christmas! There's not much I need to say about this that the title doesn't already tell you. All I will say is, on playing it through, I noticed it's kind of an odd blend of cheerful and sinister – but hey, that seems apt for Christmas! It's named for a song by The Smoking Trees from the superb Active Listener Christmas Album from 2012. (A name-your-price download on Bandcamp, it's well worth grabbing). Oddly, I only noticed after compiling this that there are quite a few tracks from 2012, for some reason. Apparently that year was a fine vintage for Christmas psych!

Hello all! Been absent from the blog for much longer than intended, I'm sorry to say. But I hate to miss another Halloween, especially since my blog is named for a Halloween urban legend. So I've managed to squeak in a mix just in time!

'A Curse On You' is in a similar vein to my last couple of mixes: more of a haunting atmosphere than strictly horror-themed selections, though there are a few of those as well. I like to make my mixes a bit of an emotional journey through different moods and sonic textures, especially when fairly long like this one, which comes in at two hours and eight minutes.

This mix is packed with vintage European soundtracks, moody experimental pop, electronic forays, an abundance of 60s psych rock, and more. There's some of the sensual, affecting vibe of my previous mixes, but with more of a gritty, dirty punch - at least that was the aim!

Please enjoy this trippy spookfest! Here are the artists and songs featured in this mix (click 'Hide details' to see a simplified tracklist):

Sooo... this is a slightly insanely long playlist, especially coming off the back of five hours of listening in my other 2017 posts. It's around twelve hours of music – 183 songs – that didn't make it onto my best of 2017 playlists. It came about because, when I was trying to catch up on some releases I might have missed during the year, I found so very, very much music that appealed to me, and it was overwhelming to even figure out where to begin listening. I started this playlist to keep stuff I wanted to get back to, and as somewhere to put songs I reluctantly cut from my main playlists when they were getting too long. So this is essentially a playlist of honourable mentions, as well as songs I've really enjoyed from albums I haven't had time to fully listen to. 

In Part One, I shared songs from my most-loved albums of last year. Part Two features highlights from my favourite singles and EPs released in 2017. Enjoy! 

Okay, so it's nearly March, which probably makes this the world's most untimely 'Best of 2017' list! First I'll get to the music, but there's a personal note at the bottom of this post explaining why I'm sometimes much later with posts than I'd like, and why I think they're still worth doing anyway.

Wow, I was really blown away by the musical offerings from last year! There's some truly spectacular music being made by incredibly creative artists who are dedicated to their craft. and to making brilliant music for the sake of it. Though it's easier than ever to find music from all over the world to suit your particular tastes, I'm pretty convinced there's also just more and more amazing music being produced. This playlist features a song from each of my favourite 2017 albums. It's pretty long, with fifty-five tracks, coming in at around three hours and forty minutes of listening. I heard so much great stuff, this was as much as I could narrow it down! And you'll notice this is only Part One.... 

Keith Seatman makes striking hauntological soundscapes up there with the best material from Ghost Box Records. It's the sort of layered, intricate work that rewards more and more on each listen, yet there is also a certain immediate appeal, especially for fans of things like vintage horror soundtracks and early electronica. In fact, the only time I've found myself using the 'Buy the artist's entire discography' option on Bandcamp was shortly after first sampling Seatman's work.

Seatman's latest, All Hold Hands And Off We Go, released in April this year, takes the listener on a surreal excursion that is both comforting and disconcerting. I love the push-and-pull feeling of something being eerie and ominous, but inviting you for a closer look, and this album captures that beautifully. This is exemplified in the title track, where its fast rhythm and bouncy riffs compete with more sinister elements. It's easy to imagine this slotted into a giallo soundtrack by the likes of Goblin.

Buy: All Hold Hands And Off We Go
Links: Test Transmission (Keith Seatman's blog), Test Transmission Archive Reels (mixes by Keith Seatman).