Sooo... this is a slightly insanely long playlist, especially coming off the back of five hours of listening in my other 2017 posts. It's around twelve hours of music – 183 songs – that didn't make it onto my best of 2017 playlists. It came about because, when I was trying to catch up on some releases I might have missed during the year, I found so very, very much music that appealed to me, and it was overwhelming to even figure out where to begin listening. I started this playlist to keep stuff I wanted to get back to, and as somewhere to put songs I reluctantly cut from my main playlists when they were getting too long. So this is essentially a playlist of honourable mentions, as well as songs I've really enjoyed from albums I haven't had time to fully listen to. 

In Part One, I shared songs from my most-loved albums of last year. Part Two features highlights from my favourite singles and EPs released in 2017. Enjoy! 

Okay, so it's nearly March, which probably makes this the world's most untimely 'Best of 2017' list! First I'll get to the music, but there's a personal note at the bottom of this post explaining why I'm sometimes much later with posts than I'd like, and why I think they're still worth doing anyway.

Wow, I was really blown away by the musical offerings from last year! There's some truly spectacular music being made by incredibly creative artists who are dedicated to their craft. and to making brilliant music for the sake of it. Though it's easier than ever to find music from all over the world to suit your particular tastes, I'm pretty convinced there's also just more and more amazing music being produced. This playlist features a song from each of my favourite 2017 albums. It's pretty long, with fifty-five tracks, coming in at around three hours and forty minutes of listening. I heard so much great stuff, this was as much as I could narrow it down! And you'll notice this is only Part One.... 

One of the absolute best albums of the year is Rose Elinor Dougall's Stelullar. Released January this year, the long-awaited follow-up to her excellent 2010 solo debut, Without Why, has exceeded even my rather high expectations.

This is a contemporary take on pop that is just exquisitely executed. Influences across many decades and styles are expertly synthesised and distilled into something earnest, fresh, modern and personal. You can hear The Smiths and other indie eighties, classic sixties songwriting, punk and its artier cousins, eighties synth pop, Britpop, as well as more recent influences from the world of today's avant-pop. I know music reviews can often be an annoying shopping list of improbable references, but I genuinely do hear all those! It's to Dougall's credit that these don't compete or sound unnaturally glued together, and that they aren't there for the sake of showing off what's in her record collection. The different pieces blend beautifully and always serve the songwriting and the essence of the song. The tracks are complex enough to offer up new delights on repeated listens, but not overly worked at the expense of what makes a good pop song so appealing: memorable melodies, addictive hooks and emotional immediacy.

Keith Seatman makes striking hauntological soundscapes up there with the best material from Ghost Box Records. It's the sort of layered, intricate work that rewards more and more on each listen, yet there is also a certain immediate appeal, especially for fans of things like vintage horror soundtracks and early electronica. In fact, the only time I've found myself using the 'Buy the artist's entire discography' option on Bandcamp was shortly after first sampling Seatman's work.

Seatman's latest, All Hold Hands And Off We Go, released in April this year, takes the listener on a surreal excursion that is both comforting and disconcerting. I love the push-and-pull feeling of something being eerie and ominous, but inviting you for a closer look, and this album captures that beautifully. This is exemplified in the title track, where its fast rhythm and bouncy riffs compete with more sinister elements. It's easy to imagine this slotted into a giallo soundtrack by the likes of Goblin.

Buy: All Hold Hands And Off We Go
Links: Test Transmission (Keith Seatman's blog), Test Transmission Archive Reels (mixes by Keith Seatman).