A repost, as requested by Kate, of the two songs Serge Gainsbourg wrote for FG in 1972:
- France Gall - Frankenstein
- France Gall - Les Petits Ballons
Here's the original post and a later post where I make a poor attempt to translate France Gall's reflections on working with Gainsbourg post-'Les Sucettes'. Thankfully my readers help clean up the mess.
I used to have a video for 'Frankenstein' up on YouTube, but 'the man' took it down. Good thing someone polices this stuff, since there's such an abundance of France Gall 60s/70s stuff on DVD and you know, watching it online might take away from valuable sales. Oh wait, there are no releases. [/soapbox]
Luckily, someone else's addition of the clip hasn't met the same fate: watch it here. It's from Top à Jacques Dutronc, March 1974 and features Dutronc as a rather odd Frankenstein. Some screencaps can be found here.
Update: 'Frankenstein' video can be viewed here.

Kate
I don't get those people who go around reporting material on YouTube (or on file-sharers). I can understand when it's a current artist and the record label is the one removing things, but when it comes to material this old, who ARE these goody-goodies who take it upon themselves to report it?!
Oscar
Christine
seidrik
Oscar
P.S. I've also bought other CDs of France Gall. You got me hooked!:) Thanks again Christine.
Guilherme
new fan
Christine
Thanks Guilherme, I'll send you a message. Rest assured, I have every France Gall song and many of the early 70s stuff will make it on here, I just like to space them out.
Guilherme
Christine
Christine
Swanny
Christine
Paul
https://www.youtube.com/watch?v=ZJBJWJkrxD0&list=RDZJBJWJkrxD0&start_radio=1
I ask because, like you, I prefer France Gall's 60s (and early 70s) output, for a couple of reasons First, 60s music is my favorite. Second, although Serge Gainsbourg wrote a lot of her material, she also did songs by other writers, so there was a wider variety of styles she did then - it was more eclectic. Berger gave her a more modern sound, and gave her a band, but him being her only writer gave her music a more narrow spectrum - she kind of had that one sound, and that was it. Of course, without him, she might not have ever made that successful comeback that really cemented her place in French musical history. Anyway...
I really think that Monopolis is her best vocal performance. She sings it so beautifully, so well, and with such emotion that it breaks my heart to listen to it. Maybe the fact that the lyrics were written by someone other than Berger "widens the scope" of it a bit, and it being a theater piece maybe takes it outside of that '80s pop sound. I'd like your opinion on it, I think it's undeniably beautiful.
As for Frankenstein, I've always liked it, very quirky. Fond of the story too. It's funny in the video where she has to cover her face from laughing when the monster attacks her.