While flipping through my collection of vintage French magazines the other day, I came across an interesting little segment in the October 1966 issue of Salut les copains, France's enormously popular and influential youth music magazine that launched in 1962 to complement the radio show of the same name. It features Françoise Hardy sharing her ten current favourite songs, as part of a running segment where popular music stars were asked to create their own 'hit parade'.
Hardy's tastes encompassed a variety of popular genres of the time, from the easy listening of Frank Sinatra and Petula Clark to the garage rock of Syndicate of Sound and The Troggs, whose 'Wild Thing' she calls "breathtaking". Most of the picks here are from the USA and UK, as was more fashionable by that time than homegrown music. Hardy, though, was no bandwagon jumper and had long been a fan of Anglo-American sounds. She often had the chance to hear new British music when she ducked across the channel to record an album or play some venues, and she mentions buying Syndicate of Sound's 'Little Girl' in London and seeing Dusty Springfield perform 'Goin' Back' on Ready Steady Go! A couple of her fellow Gallic singer-songwriters are represented here in Michel Polnareff ("She could have cited any other of Michel's songs, she loves them all equally"), and Antoine, who had debuted nearly a year earlier and transformed the local scene.
I've playlisted her choices so you can immerse yourself in what the wonderful Ms Hardy was grooving to 50 years ago:
It's my first post of the new year and, though late to the game, I wanted to share my favourite music from last year. 2016 was a notoriously terrible year (not that this year is exactly peachy so far!), but thankfully the same can't be said of the music that came out last year. It was, to quote Lisa Simpson's insensitive future fiancé, like a flower that grew out of a pot of dirt. I feel spoiled by the amount and variety of quality music I've been enjoying from last year's offerings. There are the gorgeous vintage European pop sounds of The Yearning and Lia Pamina, the visionary retrofuturism of Adrian Younge, the moving, classic songwriting of Big Smoke, the raw garage rock of The Mystery Lights, some fresh takes on dream pop, and many outings in psychedelic-influenced, experimental pop. Some of these albums have quickly become all-time favourites, not just favourites of the year. Below is a playlist of songs from my most-loved releases of 2016, including albums, singles and EPs, in no particular order. A list of my top eleven albums (I could not narrow it down to ten!) of the year – again, in no specific order – follows it.
Click next to tracks for individual players | Show all
- Britta Phillips - Daydream (Luck Or Magic)
- Big Smoke - Honey, I (Time Is Golden)
- Margo Price - Hands Of Time (Midwest Farmer's Daughter)
- Kadhja Bonet - Fairweather Friend (The Visitor)
- The Yearning - When I Lost You (Evening Souvenirs)
- Le Super Homard - Maple Key (Maple Key)
- Gloria - Show Me Your Trail (Gloria In Excelsis Stereo)
- Lake Ruth - Helium (Actual Entity)
- Adrian Younge Presents Venice Dawn - Ready To Love (Something About April II)
- Hope Sandoval & The Warm Inventions - A Wonderful Seed (Until The Hunter)
- Julia Jacklin - Pool Party (Don't Let The Kids Win)
Name your price download.
- Beverly - Victoria (The Blue Swell)
- Nice As Fuck - Door (Nice As Fuck)
- The Limiñanas - Dahlia Rouge (Malamore)
- The Mystery Lights - Follow Me Home (The Mystery Lights)
- Gaye Su Akyol - Eski tüfek (Hologram İmparatorluğu)
- La Femme - Le vide est ton nouveau prénom (Mystère)
- Lia Pamina - Créeme (Love Is Enough)
- Cat's Eyes - Everything Moves Towards the Sun (Treasure House)
- Innerspace Orchestra - One Way Glass (One Way Glass single)
- Whyte Horses - Peach Tree Street (Pop Or Not)
- Charlie Hilton - Pony (Palana)
- Prudence Rees-Lee - Fair Witness (Fair Witness single)
- Olympia - Smoke Signals (Self Talk)
- Juniore - Panique (Panique single)
- September Girls - Quicksand (Age Of Indignation)
- Heron Oblivion - Your Hollows (Heron Oblivion)
- Delphine Dora - Alpha centauri (Le Fruit de mes songes)
- Morgan Delt - Sun Powers (Phase Zero)
- Charles Bradley - Ain't Gonna Give It Up (Changes)
- The Honey Pot - Almost Exactly Beautiful (Inside The Whale)
- Beautify Junkyards - Constant Flux (Other Voices 08 single)
- Lush - Lost Boy (Blind Spot EP)
- Exploded View - Stand Your Ground (Exploded View)
- Bat For Lashes - In God's House (The Bride)
- Adrian Younge presents The Electronique Void - Black Noise (Black Noise)
- TOY - Dream Orchestrator (Clear Shot)
- Jarvis Cocker - Theme From "Likely Stories" (Likely Stories EP)
- The Galaxy Electric - Nightmares (Everything is Light and Sound)
- Jenny Hval - Female Vampire (Blood Bitch)
- Leonard Cohen - Traveling Light (You Want it Darker)
- John Cunningham - I Can Fly (Fell)
- Paul Kelly - Sonnet 73 (Seven Sonnets & A Song)
- The New Lines - Love and Cannibalism (Love and Cannibalism)
- Mild High Club - Homage (Skiptracing)
- COTE - London (London single)
- Samara Lubelski - What's Up Rider (The Gilded Raid)
Top 11 albums:
Like so many, I am angry, confounded, saddened by the state of the world. 2016 just keeps kicking us in the arse. I won't spill any trite words about the power of music in troubled times. I don't even think making ourselves feel better is entirely the point. I'm wary of self-tranquilising to the point of becoming numbed or complacent; we need that sense of horror and anger to foster meaningful action. Anger, I think, is not something to be afraid of if it is not hateful or violent or self-destructive. That said, I'm aware good people need to draw strength from where they can – to be inspired, to experience catharsis, to feel soothed, to preserve their mental health – in order to be effective, to go on, to heal. And that's where music can come in. What I like to turn to runs the gamut from angry and cynical, to inspiring and thought-provoking, to calming and reassuring. Here are a few songs I thought I'd share.
Starting at the angry, cynical end of things, Jarvis Cocker's blunt song 'Running The World' from 2006 pulled no punches in describing exactly who has the power in the world, and is unfortunately truer than ever. The song is an incisive, darkly funny critique of capitalism and politics.
Barry McGuire's classic scathing protest song, 'Eve Of Destruction', perfectly captured the countercultural mood of its day. Written by nineteen-year-old P.F. Sloan, it was a number one hit for McGuire in 1965, and it's hard to imagine anyone spitting out these lyrics of disgust and frustration better than he does in his blistering growl. Many of the lyrics are, obviously, specific to political circumstances of the time, but much of it still resonates and could apply as readily today. Particularly potent is McGuire's delivery of the line about religious hypocrisy: "Hate your next-door neighbour / but don't forget to say grace." Also, message aside, I am a fan of the fact the word 'coagulating' is incorporated into a rhyme.
It's interesting when a work of art's message feels relevant again and you find its meaning becomes clearer than before. I guess I always saw this as a somewhat fatalistic song about impending doom in an age of atomic fear, but now it's hitting me as a rebuke against complacency, against refusing to see potential catastrophe, and against the normalisation of things that should rightly invoke alarm. Sloan saw it as "a love song to and for humanity" and "a prayer" and hoped it would help "open a dialogue", but instead he and McGuire were ousted from the music industry.
"This is a cold war, you better know what you're fighting for" sings Janelle Monáe so powerfully on 'Cold War', from her 2010 Afrofuturist pop masterpiece, The ArchAndroid. The line 'I was made to believe there was something wrong with me' always chokes me up, and now more than ever, too many are afraid of their children growing up to feel like this. Monáe has said of this and other songs of hers: "I try to create songs that are uplifting because this world can drive you insane". 'Cold War', though it faces a sense of pain and injustice head-on, is not a bitter resignation; it ultimately uplifts:
You might not expect to find a decent music guide in a 70s teen girl magazine, but that's exactly what I came across in the November 1974 issue of an American publication called The New Ingenue. In "50 Albums You Can't Live Without", the magazine does not condescend to its young female demographic with the usual list of tight-jeaned teenybopper pin-ups, but instead presents a serious guide for fledgling collectors. It was written by Ed Naha, at the time a music journalist who wrote for esteeemed publications like The Village Voice and Rolling Stone, and who later became a science fiction and fantasy author and screenwriter.
The article is not only an interesting snapshot of its era, providing a glimpse into critical tastes as well as the culture of record collecting at the time, it still works as a great starting point for anyone wanting to explore 60s to 70s rock. The list covers a good range of styles, from rhythm and blues to "lofty rock", though for my tastes, it's weighted a little heavily toward hard rock – not surprising given when this was written. While it's filled with staple classic albums like Dark Side Of The Moon and Sgt. Pepper's Lonely Hearts Club Band, it also has a few more obscure choices that have since fallen off the critical radar. Then there is something like Love's Forever Changes, which was not a success when released, but whose reputation saw it rise to become a cult classic over time. Here we see it beginning to achieve this status, as well as the insight that it "attracted a lot of praise and condemnation" at the time of its release.
The New Ingenue seems to have been trying to do something more progressive and feminist with the medium of the teen girl magazine. Among the usual makeup ads and fashion tips, there are some atypical articles that show they expected intelligence from their audience, like a feature on the juvenile detention system or a technical guide to hi-fi. A subscription ad boasts the magazine has a broad range of content, with "columns on crafts, ecology action and all the occult" (all of it!). Describing their target reader, it says "she isn't under anybody's thumb and she's not up on anyone's pedestal". I bought several issues from the collection of the lovely Dixie Laite, who described The New Ingenue as "sort of a precursor to Sassy in terms of content, attitude and down-to-earthiness."
As part of this approach, the magazine had a particular interest in bringing quality music journalism to young women. I found an advertisement in a December 1974 issue of Billboard magazine which emphasised The New Ingenue's commitment to musical content. It proudly proclaims the magazine's line-up of respected critics, that its music column is "not a monthly gossip column" and that it features "the first and only chart designed by and for the young American woman".
I've made a Spotify playlist featuring one song from each album in the list:
I think I've hit on a plan to let me keep blogging without exhausting myself and then subsequently losing interest. I'm going to keep things as simple as possible with just pictures and the song and probably not buying links, although I feel a bit guilty leaving those out. But you should be able to find any albums from the vendors in my sidebar. If you've searched high and low and can't find where to buy something, you can always ask and I'll help you out.
Please use the comments section to ask me any questions. I've taken down my email address, but if you still have it, please don't use it to ask me questions you can easily find answers for on a search engine. I'm also unable to send out anything individually, even for a trade. Nor am I taking requests or band submissions. Unless you're a band in my myspace friends and you want to send me free stuff? Eh? Eh? Can't blame a girl for trying.
I'm excited to be adding
Radioblog*, which I discovered on the gorgeous blog Pop 'N Cherries. I've been trying to find a free way to do something like this for ages, but had no luck so it's a happy discovery indeed. This is my exception to my no requests policy; you can ask me to post an mp3 if you like anything on there. And I'm hoping that will make the blog a little more interactive and I'll get some more feedback on what people like. Remember, feedback keeps your widdle bloggers happy and makes them want to go on! Even just a 'thanks' or 'you rule the school' or even 'you suck!' (no just kidding, please don't) is great to hear.
I did think of starting up a forum where readers of this blog and the others that post French 60s stuff regularly could talk about what they love and any new discoveries, or trade stuff, but again I'd be biting off a bit more than I can chew. But for anyone who'd be interested in such an idea, please join the last.fm groups I have, French 60s and Ye-Ye Girls and maybe you could liven those up a bit. Even if you don't use the other last.fm features, the forums have the potential to be a great meeting place for fans.
And don't forget
Spiked-Candy Last.fm Radio is still chugging away, churning out lots of aural treats and free to listen to. If the player has let you down before, try the beta for the upcoming release. As long as you have a decent connection, it should work a charm. And I know the 2 separate downloads for the Audioscrobbler plug-in and the Last.fm player are confusing to some; this download has them both in one and guides you through everything you need to do.
Merci, and I'll be back with some tunes very soon .
out of print
- February 19 2017
- February 2 2017
- December 24 2016
- December 23 2016
- November 25 2016
- November 19 2016
- November 11 2016
- October 29 2016
- October 7 2016
- September 1 2016
- August 29 2016
- July 30 2016
- July 19 2016
- July 14 2016
- Fri, Oct 21 2005
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