A mix for Halloween featuring music from 70s European horror soundtracks, eerie vintage folk-pop, contemporary pop noir and more. Last year, I made a devil-themed mix drawing from a similar range of artists, but where that one was skin-crawlingly creepy, this is more softly unnerving, with undercurrents of romance and sensuality. It makes me vaguely picture an imaginary classic horror film where a beautiful heroine is lured into a haunted forest by an irresistible but diabolical lover. Amid the prettily haunting sounds, there are still some genuinely terrifying moments – Goblin's bloodcurdling 'Sighs', from Suspiria, for example – should this ominous realm start to feel too cosy.
The mix image is Elsa Martinelli in Roger Vadim's 1960 vampire flick, Et mourir de plaisir (aka Blood and Roses).
Tracklist (Show details)
- François De Roubaix - Les Lèvres Rouges (1971)
From the Les Lèvres Rouges (Daughters of Darkness) soundtrack.
- Beautify Junkyards - Longo Amanhã (2015)
From The Beast Shouted Love.
- Ennio Morricone - Astratto IV (1971)
From the Veruschka - poesia di una donna soundtrack.
- Marianne Faithfull - Oh Look Around You (1965)
From her self-titled debut album.
- Daniela Casa - Ignoto (1975)
From Società Malata, reissued on Penny Records in 2013, and again on Dagored this year.
- Death and Vanilla - Shadow and Shape (2015)
- Comus - Bitten (1971)
From First Utterance.
- The Paradise Motel - Bad Light (1996)
From Still Life.
- Broadcast - The Sacred Marriage (2013)
From the soundtrack to Peter Strickland's Berberian Sound Studio.
- Jenny Hval - In the Red (2016)
From Blood Bitch.
- Cat's Eyes - Pavane (2015)
From the soundtrack to another Strickland film, The Duke of Burgundy.
- Françoise Hardy - The Rose (1966)
From Hardy's first English language album, In English.
- Piero Umiliani - Nocturne (1973)
From To-Day's Sound, reissued on Easy Tempo in 1997.
- Ennio Morricone - Metamorfosi (1971)
From the La classe operaia va in paradiso.
- Laurence Vanay - Soleil Rouge (1974)
- Espers - Flowery Noontide (2005)
- Cat's Eyes - Black Madonna (2015)
From The Duke of Burgundy.
- Les Maledictus Sound - Heathcliff Y Cry Your Name (1968)
From Attention (or arguably Les Maledictus Sound - I'm uncertain of the correct title), the only release by this band helmed by Jean-Pierre Massiera.
- Keith Seatman - A Slight of Hand (2013)
- Isobel Campbell & Mark Lanegan - The False Husband (2006)
From Ballad Of The Broken Seas.
- Jane Weaver - Parade of Blood Red Sorrows (2013)
- Belbury Poly - Pan's Garden (2006)
From The Owl's Map.
- Spirogyra - Old Boot Wine (1973)
From the 2004 compilation Gather In The Mushrooms – The British Acid Folk Underground 1968-1974. Originally from the album Bells, Boots and Shambles.
- Phillip Lambro / Orriel Smith - Hannah Emerges In the Night (1973)
Originally from the Crypt of the Living Dead soundtrack, this was included as a bonus track on the 2011 digital issue of Smith's 1968 single, 'Tiffany Glass' (which was also written by Lambro).
- Still Corners - Demons (2011)
From Creatures of an Hour.
- Acanthus - Sleeping Beauty (Samba Des Vampires) (1971)
From the soundtrack to Jean Rollin's Le Frisson des vampires, released by Finders Keepers Records in 2010.
- Emil Richards - Opal (October) (1966)
From New Sound Element "Stones", reissued by The Omni Recording Corporation in 2012.
- Lake Ruth - One Night As I Lay On My Bed (2016)
From Actual Entity.
- Colleen - Le Labyrinthe (2007)
- Angelo Badalamenti - Laura's Dark Boogie (1990)
From Twin Peaks: Season Two Music and More (2007).
- Maxine Sullivan - Dark Eyes (1938)
From the 1997 compilation The Chronological Classics: Maxine Sullivan 1937-1938.
- Jean Prodromidès - Carmilla et Léopoldo (1960)
From the Et mourir de plaisir (Blood and Roses) soundtrack.
- Harmonic 33 - Long Shadow (2005)
From Music For Film, Television & Radio, Volume 1.
- Goblin - Sighs (1977)
From the soundtrack to Dario Argento's Suspiria, reissued on Bella Casa's The Awakening box set in 2012.
- Harper / Russe / St. George - Nightwalker (1972)
From Electrosonic, a library music record Don Harper, Delia Derbyshire and Brian Hodgson (the latter two under pseudonyms) made for KPM, reissued by Glo-Spot in 2006.
- Clara Rockmore - Rachmaninoff: Vocalise (1977)
From The Art of the Theremin.
- Ela Orleans - Nocturne (2012)
From Tumult In Clouds.
- Elysian Fields - Black Acres (2000) – Free download available from Epitonic.
From Queen Of The Meadow.
- Luboš Fišer - Blood Red Rose (1972)
From the Morgiana soundtrack, released by Finders Keepers Records in 2013.
- Mono In VCF - We Could've Owned The World (2008)
From Mono In VCF.
Spiked Candy kicked off with a France Gall video and a Quebecoise France Gall cover, so for old times' sake, I thought I'd start again the same way:
This is a clip from an episode of a music show called Au risque de vous plaire which originally aired on the 10th of January, 1969. The episode, directed by Jean-Christophe Averty, is creative and colourful, making the most of the relatively new colour format. They've gone a bit nuts with the technique of using graphics to frame the footage, with fun results like those seen here. (The video may take a few moments to load).
I love Canadian girl Claire Lepage's take on France Gall's 1964 single, 'Le Premier Chagrin d'amour', which has lyrics by France's father, Robert Gall, and music by Claude Henri-Vic. In her slowed-down, more grown-up-sounding version, the 'first heartbreak' of the title sounds like it's about something that had more at stake than France Gall's lost teen love. Claire's version comes two year later, in 1966, which is a little unusual as international covers tended to appear soon after the original.
I've also made a playlist* of France Gall covers - 30 of them!
I keep coming across the mention of a pasha - first in the Uschi Glas quote, then in this track from Québéc yé-yé girl Dany Aubé, and then in this scopitone from Jean Constantin. I wonder if there was any sort of significant trend for all things Persian, or if they're just a handful of mentions as part of 60s pop culture's taste for the 'exotic'.
In 'La Fille du pacha', Dany sings that it's no fun being the daughter of a pacha and having lots of clothes, cars and fine silks, because people only love her for her money.
A little about Dany, translated from Rétro Jeunesse 60:
Dany Aubé (real name - Réjeanne Aubé) was born in Lasarre, Abatiti in 1947. While taking part in amateur singing contests, she was given the title 'Queen of The Quebecois, North-West'. Based in Montreal, she became famous in the spring of 1966 with the song 'Goodbye, au revoir, arrivederci'. During the same year, she stays at the top of the charts with 'Il m'appalait Goguette' ['They Call Me Goguette'] and 'Ma Casquette' ['My Cap']. She performed in the Musicorama tour of 1967, and worked the cabaret circuit until the mid-70s.
I wracked my brain trying to remember where I'd heard this before, then it finally hit me:
My last.fm friend Aaron wrote an excellent piece for mercurialsound.com on the early use of distorted guitar in Françoise Hardy's 'Je n'attends plus personne'. The site has been down for ages, but he's kindly given me permission to print it here in full.
Françoise's track is actually a cover of a hit by 60s Italian rock star Antonio Ciacci, who went by the name of Little Tony. This version is certainly lighter on the fuzz, but you can detect a single distorted note as the lead beat in each bar of the intro, which melds with the bassline to create what serves as a fairly heavy intro. However, it's still not as heavy a sound as you hear on Françoise's cover, nor the same application of distortion, so credit still goes to the makers of her track for being ahead of their time. But the original does stand out as having a heavier guitar sound than typical European pop of the time and combined with Little Tony's strong vocals, makes quite an impact. It makes me wonder whether this is what inspired the creators of 'Je n'attends...' to chunk up the guitar even more, to get a little of the more of the aggressive effect that Françoise's vocals can't convey.
I think I've hit on a plan to let me keep blogging without exhausting myself and then subsequently losing interest. I'm going to keep things as simple as possible with just pictures and the song and probably not buying links, although I feel a bit guilty leaving those out. But you should be able to find any albums from the vendors in my sidebar. If you've searched high and low and can't find where to buy something, you can always ask and I'll help you out.
Please use the comments section to ask me any questions. I've taken down my email address, but if you still have it, please don't use it to ask me questions you can easily find answers for on a search engine. I'm also unable to send out anything individually, even for a trade. Nor am I taking requests or band submissions. Unless you're a band in my myspace friends and you want to send me free stuff? Eh? Eh? Can't blame a girl for trying.
I'm excited to be adding
Radioblog*, which I discovered on the gorgeous blog Pop 'N Cherries. I've been trying to find a free way to do something like this for ages, but had no luck so it's a happy discovery indeed. This is my exception to my no requests policy; you can ask me to post an mp3 if you like anything on there. And I'm hoping that will make the blog a little more interactive and I'll get some more feedback on what people like. Remember, feedback keeps your widdle bloggers happy and makes them want to go on! Even just a 'thanks' or 'you rule the school' or even 'you suck!' (no just kidding, please don't) is great to hear.
I did think of starting up a forum where readers of this blog and the others that post French 60s stuff regularly could talk about what they love and any new discoveries, or trade stuff, but again I'd be biting off a bit more than I can chew. But for anyone who'd be interested in such an idea, please join the last.fm groups I have, French 60s and Ye-Ye Girls and maybe you could liven those up a bit. Even if you don't use the other last.fm features, the forums have the potential to be a great meeting place for fans.
And don't forget
Spiked-Candy Last.fm Radio is still chugging away, churning out lots of aural treats and free to listen to. If the player has let you down before, try the beta for the upcoming release. As long as you have a decent connection, it should work a charm. And I know the 2 separate downloads for the Audioscrobbler plug-in and the Last.fm player are confusing to some; this download has them both in one and guides you through everything you need to do.
Merci, and I'll be back with some tunes very soon .
Most fans of France's early work write her off after the 60s, but, as I've mentioned before, there are a few surprisingly good tracks among her early 70s output. I think I've heard a couple I don't mind from 73, but generally she loses me after 72. The best from 70-72 are the outstanding bossa nova track 'Zozoï' and the two Gainsbourg-penned songs, 'Frankenstein' and 'Les Petits Ballons'. All nicely show France has grown from the jazzy ye-ye girl to a softer, more mellow style, with her sweet voice still in tact. (The above pics are not the best indicators of that, coming from a German magazine where her work at this time was far more kitsch!). It's after this that her voice adopts that cookie-cutter AM radio vibrato and her material becomes sappy soft pop that holds little interest for those who loved the bite in her earlier work.
'Cinq Minutes D'Amour' is an interesting transitional song - it's clearly already in 70s soft rock, AM radio-friendly territory, but has enough pleasing qualities to save it. Her vocals retain that naturalness that she loses later.
out of print
- February 19 2017
- February 2 2017
- December 24 2016
- December 23 2016
- November 25 2016
- November 19 2016
- November 11 2016
- October 29 2016
- October 7 2016
- September 1 2016
- August 29 2016
- July 30 2016
- July 19 2016
- July 14 2016
- Tue, Oct 11 2005
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